In the final of three blogs sharing Walk the Plank‘s Diversity, Equity, Inclusion and Belonging (DEIB) journey, their Senior Marketing and Communications Officer, Tanica Powell takes us through how the marketing team has championed and actioned their DEIB values.
In this Family Arts Campaign webinar, Alex Covell, Access Producer for festival.org shares practical tools and tips that support inclusive practices for families at outdoor events.
In this case study, members from Slung Low theatre company discuss the challenges they faced in taking on their biggest outdoor project to date, Flood.
In the final of three blogs looking behind the scenes at Mind the Gap‘s latest production Zara, their Intern Assistant Producer Paul Wilshaw takes us though his experiences as a learning disabled practitioner.
In the first of three blogs looking behind the scenes at Mind the Gap‘s latest production Zara, their Executive Director Julia Skelton opens up the process of creating a large-scale outdoor project that illuminates the stories and challenges faced by learning-disabled parents.
In the second of three blogs looking behind the scenes at Mind the Gap‘s latest production Zara, their Senior Producer Lisa Mallaghan explores their partnership with Walk the Plank and follows the process from the initial idea to the production going on sale.
This report has been produced by The Audience Agency in partnership with Outdoor Arts UK. “The work challenges and entertains; it is our most inclusive and empowering art form; it captivates communities and inspires innovation and cohesion.” Outdoor Arts UK
This report provides an overview of the research undertaken into audiences for the outdoor arts sector (OA) as part of Audience Finder. The Independent Street Arts Network (ISAN) has been our main partner for this work and has acted as an adviser, interpreter and disseminator of the project.
Helen Marriage uses ‘The Sultan’s Elephant’, performed on the streets of central London in 2006, to bring to life the importance of creating an unmissable experience and inspiring an emotional response in an audience. She argues that the fact that a million people came to watch the same thing provides a sense of how powerful … Read more
This booklet presents the experience of 10 large arts and cultural institutions in London commissioned by ACE to undertake work in the public realm in preparation for the 2012 Olympics. They included The Barbican, The British Library, The British Museum, Exhibition Road Cultural Group, Royal Court Theatre, Royal Opera House, Sadler’s Wells, Southbank Centre, Tate … Read more