Asking for Donations

Asking for Donations


An abstract from the Spektrix Insights Report 2019 that focuses on maximising individual donations.

The importance of individual philanthropy to the arts sector’s bottom line continues to increase. In this section, we focus on the important first stage of the donor pipeline and the critical base of every donor pyramid, donations under $50/£50/€50.

Specifically, we look at metrics on:

● Donations under $/£/€50 made as add-ons to ticket purchases

● The effectiveness of various channels for donations under this threshold


Less than 2% of phone or in-person transactions include donations, 13% of online transactions do.

Donations made by phone or in person are nearly double online donations as a percentage of basket value (15% vs 8%).

Training frontline staff on asking for donations has led to up to 5x increases in phone or in-person donation rates.

Average rates in the US and Canada are 6% online and less than 1% in person or by phone. However, some organisations in this region see 20%+ online conversion rates.


Relative levels of subsidy, individual, corporate and trusts and foundations support for the arts varies considerably in the UK, Ireland, Canada and the US. Nevertheless, arts organisations in each of these regions find themselves confronted with shifts from historic reliance on larger institutional funders, such as corporations or government bodies, to a greater need to attract individual donors to meet fundraising targets. At the same time, individual giving itself is in flux, showing an increase in total contributions year on year, while the number of donors is in decline.

In this environment, a focus on bringing new donors into an organisation at an introductory level may help to preserve and grow this valuable funding category.

Two commonly held rules of thumb for successfully soliciting donations from individuals are “don’t ask, don’t get”and “people give to people”. Our data bears both of these out.

Organisations that prioritise asking for donations – and in particular utilise sales teams to do so – are seeing impressive results in converting ticket buyers into donors. Yet, in-person or phone asks are not always possible, with the vast majority of transactions in our data set occurring online, so finding ways to effectively ask for donations online cannot be ignored.




Octagon Theatre in Bolton focusses on producing world-class theatre for the audiences of North West England. Since its opening in 1967, the theatre has undergone many changes, and in 2018 announced funding for a major capital development of their building.

The need to raise more than £1.5m towards their capital project compelled Octagon to dramatically overhaul their approach to fundraising. In late 2018, they brought together senior leadership, fundraisers and front-facing staff to set shared fundraising goals, generate compelling messages, and openly address staff reservations around ‘making the ask’. The result of this is that teams on the frontline are motivated, skilled and empowered to ask for donations at sale points, specifically over the phone and at the Box Office counter, with the following achieved in just a few months:

● Phone sales with donations increased, 2% to 10%.

● In-person sales with donations increased, 8% to 32%.

● Online sales with donations increased, 8% to 11%.

● Octagon have raised 50% of their capital target.

● They’ve engaged thousands of first-time donors.

● Fundraising is now in every member of staff’s job description and discussed during appraisals.

The initial need to convert customers to low-level donors has actually catalysed a step-change at Octagon. The organisation-wide commitment to fundraising has set them up for long term success and ongoing support from donors.


Saffron Hall, a 740-seat performance space built on the grounds of the local high school. Opened in 2013, this award-winning music venue combines world class events with dedicated school and community provision.

When implementing a donation ask at sales points, it is sometimes difficult to know how much to ask for. Saffron Hall took a purposeful approach to determining this: they examined the online spending patterns among their members, and found that they tended to purchase large numbers of tickets at season launch times each year. This informed the team’s decision to set the donation ask at 5% of the total basket value. They also tweaked the wording of their ask multiple times, until they were satisfied that the message was both compelling and transparent.

Their ask has been hugely effective – a whopping 35% of their online sales include a donation worth on average 4.6% of the overall basket value.


Actor’s Express, housed in a flexible 145-seat modular black box space, seeks to challenge and reflect contemporary human experiences in an inclusive environment.

Though donation add-ons to ticket sales are less common in the US, Actor’s Express sees 24% of online ticket sales include a donation – a rate far above the global average of 13%.

Here’s how they do it in their own words:

Adding donations on checkout is a lucrative source of revenue for Actor's Express. Some ticket buyers add a significant annual fund donation when they purchase a subscription or ticket, but most ticket buyers use our "Give Us $2" option. We simply added a donation screen that every patron goes through upon checkout that says "Donate $2 to support AE! Even the smallest donation has a big impact". This brings in around $5,000 for us annually.



● The pressure is on to increase donations from individuals, to identify new donors and maximise the effectiveness of lower-level giving. Is your organisation doing all it can?

● Training and engaging sales teams and other audience-facing staff in fundraising has proven benefits. Is your leadership demonstrating the importance fundraising to your entire organisation?

● An increasing majority of transactions are now made online and so we can’t rely on the in-person ask anymore. The same methodology used for other marketing messages can be helpful: refine, test and repeat. This can help you identify the messages and ask amounts that find the most valuable balance for your organisation between higher donation rates and larger donation amounts. How is your organisation optimising your online ask?


Spektrix Insight 


Anne Wareing, who is a Senior Consultant with a fundraising specialism at Spektrix, shares her experience of donor motivations.


As consumers in a digital age, we’re constantly bombarded with online advertising, and are keenly sensitive to messages that speak to us personally versus those that show no understanding of our context or preferences.

While the data shows 13% of all online transactions contain a donation, organisations are leaving money on the table when it comes to online asks. We know this because personal interactions (on the phone or face-to-face), while substantially fewer in number, yield proportionally higher donations.

An online ask can be based on the event for which someone is purchasing tickets, what events they've previously attended, the value of what they’re purchasing at that moment, where they live, and plenty of other behavioural and demographic factors. Address specific customer groups (consider the New Wolsey Theatre examples in Section 1), and describe how their gift will impact your organisation. This may give you license to ask for more than a generic request with no particular group in mind. A higher ask may also be appropriate when based directly on the value of items already in a customer’s basket.

As consumers, we expect to understand what we’re paying for, and this is no less true for donors. So ask yourself: would your audiences donate more if they knew that their donation was supporting something specific, especially if it felt personal to them?

Download the full Spektrix Insights 2019 report





Resource type: Research | Published: 2019