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![Smart phone on a tripod live streaming a concert](https://www.culturehive.co.uk/wp-content/uploads/2022/12/Live-streaming-1.jpg)
Live streaming: Lo-fi and low-cost options
Live streaming an event or performance might feel unattainable, but there are low-cost and low-tech options for everyone. Jason Crouch, a freelance digital consultant with expertise in live streaming and a PhD in contemporary arts and technology, shares his tips on how to get started. A guide by digital agency The Space.
Published: 2022 | Resource type: Guide/tools
![A camera lens radiating a kaleidoscope of colours](https://www.culturehive.co.uk/wp-content/uploads/2021/08/lens-582605_640.jpg)
Introduction to digital production and streaming for live performance
Social Convention co-founders Natalie Hall and Cimeon Ellerton-Kay guide you through their hard-earned need-to-knows of streaming live performance.
Published: 2021 | Resource type: Guide/tools
![](https://www.culturehive.co.uk/wp-content/uploads/2021/05/SevenSins-ONDemand-2720x1530-v3-title-only.width-800.png)
A digital Autumn season with Opera North
When the second lockdown in England was announced and theatres had to close again, Opera North were determined not to let restrictions derail all their preparation and hard work for a second time. Ash Mann, Managing Director at Subtrakt reflects on the challenges this created and the lessons learnt.
Published: 2021 | Resource type: Case studies
![](https://www.culturehive.co.uk/wp-content/uploads/2021/02/rambert-push-yourself.jpg)
Data – what is it good for? #DigitalLab
Rebecca Horrell, Digital Marketing Coordinator, Rambert analyses spikes in online engagement using Google Analytics as part of her Fellowship at Digital Lab.
Published: 2020/21 | Resource type: Article
![](https://www.culturehive.co.uk/wp-content/uploads/2020/12/Screen-Shot-2020-12-17-at-15.23.22.png)
Everything has changed, but what role does digital streaming have in the future?
What role does digital streaming have in the future asks Sharon Chou, South Bank Centre as part of her Fellowship at the Audience Diversity Academy
Published: 2021 | Resource type: Case studies
![Group of balloons with smiley faces](https://www.culturehive.co.uk/wp-content/uploads/2020/08/iStock-1125268244.jpg)
Engaging new audiences and building resilience during a pandemic
Arts Fundraising & Philanthropy Fellow and Back to Ours Producer Nesta Nelson takes a deep dive into how they’ve started engaging new and exiting audiences digitally throughout the Coronavirus pandemic.
Published: 2020 | Resource type: Research
![](https://www.culturehive.co.uk/wp-content/uploads/2020/10/Empty-stage-with-chair.jpg)
‘Remake the Model’. Philanthropy and the Arts after Coronavirus.
Mike Scutari, contributing journalist at Inside Philanthropy deep dives into the impact of Coronavirus and what lies beyond. As arts funders navigate the opening stages of what will be a prolonged effort to stem the impact of COVID-19, many are already looking beyond the pandemic. As A Blade of Grass Executive Director Deborah Fisher told Mike Scutari ... Read more
Published: 2020 | Resource type: Article
![](https://www.culturehive.co.uk/wp-content/uploads/2020/10/Vlog-1-Theatre-by-the-Lake.jpg)
Digital Lab. Theatre By The Lake. Vlog 1. Using live streaming to reach wider communities.
The first Vlog by Rachel Swift (Head of Communications) and Meg Eyre (Marketing Manager) at Theatre by the Lake as part of their Fellowship at AMA Digital Lab.
Published: 2020 | Resource type: Article
![Cinegi Action Research Report cover](https://www.culturehive.co.uk/wp-content/uploads/2020/10/Cinegi-Action-Research.jpg)
Cinegi Arts and Film Action Research
Cinegi Arts&Film was an action research project, delivered by Cinegi, that ran from January 2017 to May 2018 to test how a digital distribution service could bring filmed arts and cultural content to audiences in venues beyond mainstream cinemas. The project was supported through a grant from Arts Council England, and a partnership with the ... Read more
Published: 2018 | Resource type: Research
![A woman holding a grip to steady her phone.](https://www.culturehive.co.uk/wp-content/uploads/2018/11/Live-streaming.jpg)
Video Live Streams as an Engagement Tool for Museums
Cuseum take a look at video live streams as an engagement tool for museums.
Published: 2018 | Resource type: Research
![Birmingham Museum and Gallery I Want I Want Exhibition](https://www.culturehive.co.uk/wp-content/uploads/2020/10/Birmingham-Museums-I-Want-I-Want-Exhibition.png)
Birmingham Museum & Art Gallery reaches 22,000 viewers in one live stream
Cherelle Cunningham shares Birmingham Museum & Art Gallery’s experience of using Periscope to engage the widest possible audience. Gain tips for getting started with live streaming.
Published: 2017 | Resource type: Case studies
![Miracle Theatre performance](https://www.culturehive.co.uk/wp-content/uploads/2020/10/Miracle-Theatre-Superfast-Tempest-c.-Kirstin-Prisk.png)
A manual for bringing theatre to the screen
Miracle Theatre shares practical advice for making and distributing digital versions of theatre productions.
Published: 2017 | Resource type: Guide/tools
![](https://www.culturehive.co.uk/wp-content/uploads/2013/11/Lessons-in-live-streaming.png)
Lessons in live streaming from National Theatre Wales
Bradley Manning, the young US soldier who was convicted of releasing the largest set of classified documents ever leaked to the public, spent his early years in west Wales. In 2013 the National Theatre Wales’ (NTW) production The Radicalisation of Bradley Manning, toured around Wales before appearing at the Edinburgh Fringe. Early on in the production process ... Read more
Published: 2013 | Resource type: Case studies
![](https://www.culturehive.co.uk/wp-content/uploads/2013/10/Quizoola-24-hour-webcast-and-Twitter.png)
Quizoola: a 24-hour webcast and trending on Twitter
Forced Entertainment is a theatre company based in Sheffield, UK, who produces contemporary devised performances that tour worldwide. In April 2013, they performed one of their most popular pieces – Quizoola! – continuously for 24 hours at the Barbican as part of the SPILL festival. The entire piece was streamed online via a live webcast and Twitter users were ... Read more
Published: 2013 | Resource type: Case studies
![](https://www.culturehive.co.uk/wp-content/uploads/2013/05/live-streaming-report-1.png)
Live streaming productions for independent producers and small-scale venues
An evaluation of the approach Camden Theatres took in setting up paid live streaming for the Camden Fringe in 2010 and 2011. The report first outlines the issues for independent producers and small venues, and goes on to look at the tools available, and how they can work together to grow audiences through online video ... Read more
Published: 2010-12 | Resource type: Case studies